La Relève #1

Concert

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Informations pratiques

Mercredi 7 avril
19h00

Auditorium, CRR de Boulogne-Billancourt 
22, rue de la belle feuille, 92100, Boulogne-Billancourt

Tarif
Entrée libre

Renseignements et réservations
CRR de Boulogne-Billancourt, 01 41 31 83 44

LA RELÈVE

 

JÉRÔME COMBIER

Feuilles des paupières   (2005)
pour flûte, clarinette, percussion et piano

Essere Pietra   (2004)
pour ensemble 

Respirer l’ombre  (2004)
pour ensemble

et trois créations des étudiants en classe de composition (classe de Jean-Luc Hervé)

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Musiciens de l’ensemble Court-circuit
Pierre Dutrieu, clarinette
Laurent Camatte, alto
Jean-Marie Cottet, piano

avec la participation des étudiants en classes d’instrument du CRR de Boulogne-Billancourt

Jean Deroyer, direction

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→ Mardi 6 avril, 14h30
Concert pédagogique avec les CHAM (classes à horaires aménagées musique).
Avec la participation de Jean-Marie Cottet et de Jérôme Combier

 

Description à venir

 


Jeux

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CRR de Paris

 

Daniel D’Adamo, Coeli et Terraefor saxophone and double bass
Nicolas Tzortzis
, … à une main. Hommage à Roger Federer for ensemble (world premiere)
Martino Traversa, Rimane l’eco for ensemble
Georg Friedrich Haas
, Ausweg for ensemble

 

Musicians of Court-circuit
Saxophone : Vincent David          
Violin : Alexandra Greffin-Klein                     
Double bass : Didier Meu           
Conductor : Pierre-André Valade

The surprising instrumental alloy of the double bass and bass saxophone is what Daniel D’Adamo’s Coeli and Terrae relies on. These two instruments become, one after the other, main character and shadow. Their interweaving by rhythms and play modes leads to perceive a “meta-instrument”. In return, homorythmic pursuit and cut leads to moments where tones lose temporarily their identity. The idea of interweaving also affects the form. We will take side roads, backtrack, lose the steps that had guided us to find them again.

“À une main” (one-handedly) by Nicolas Tzortzis is conceived as a short film inspired by a grand slam Roger Federer won. The solo violin confronts consecutively seven opponents, from solo to quintet. It is accompanied and amplified by an instrument from the ensemble, as if electronic process affected its tone. The fourth layer represents what occurs “around”. Played by the instruments that do not take part to the game, rather noisist or neutral, the latter serves a background to the main action

Rimane l’eco By Martino Traversa explores a particular aspect of complexity with an increasing sonorous density, allowed with a process of successive accumulation, and its quick dispersal. The writing is sustained by a precise structural order, gradually complexifying until reaching a certain point of accumulation from which the perceptive image of echo takes form.  

The second word of Georg Friedrich Haas work title, weg (path, gone), leaves space to interpretation, and the ambiguity is intention, either “exit door”, “stop, leave” or yet something else. The piece is also a game for ambiguity : it begins with enigmatic piano trills the strings comment, then, by the other instruments according to a fluctuating and hesitating path, with microtonal and the composers typical slippery stretches. The development is uncertain, with sudden curls, and unachieved wanders.

 

 

Information

Conservatoire à Rayonnement Régional, 14 rue de Madrid, 75008 Paris
Prices : free entrance
Information and reservations : Ensemble Court-circuit, production@court-circuit.fr, 06 89 16 64 00


COPRODUCTION

Ensemble Court-circuit • Conservatoire à rayonnement régional de Boulogne-Billancourt

 

 

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