La Relève #2



© Architecte François Chochon – Laurent Pierre

Informations pratiques

Jeudi 24 juin

Auditorium, CRR d’Aubervilliers 
5, rue Edouard Poisson, 93300, Aubervilliers

Gratuité sur réservation 

Renseignements et réservations
01 48 11 04 60




Créations de pièces d’étudiants en classe de composition

Quatuor pour cor anglais, cor en fa, alto et percussion création mondiale

Nordin·e   création mondiale
pour hautbois baryton, cor en fa, alto et percussion

Ode à la terre  création mondiale
pour chanteuse, hautbois, cor en fa, alto et percussion

Île de Guarapiranga  création mondiale
Pour hautbois baryton, cor, percussion et alto

D-tuning  création mondiale
Pour hautbois, cor, percussion et alto

Oothèque  création mondiale
Pour hautbois, cor, percussion et alto


Musiciens de l’ensemble Court-circuit
Hélène Devilleneuve, hautbois
Antoine Dreyfuss, cor
Ève Payeur, percussion
Laurent Camatte, alto

Jean Deroyer, direction 

avec la participation des étudiants en classes d’instrument du CRR d’Aubervilliers


Quatre masterclasses des musiciens de Court-circuit à destination des élèves en classes d’instrument et de composition

→ Mercredi 7 janvier, 14h00-17h00
Hélène Devilleneuve, hautbois 

→ Mercredi 14 janvier, 14h00-17h00
Antoine Dreyfuss, cor

→ Mercredi 21 janvier, 14h00-17h00
Laurent Camatte, alto

→ Jeudi 29 janvier, 10h00-13h00
Ève Payeur, percussion

Description à venir




CRR de Paris


Daniel D’Adamo, Coeli et Terraefor saxophone and double bass
Nicolas Tzortzis
, … à une main. Hommage à Roger Federer for ensemble (world premiere)
Martino Traversa, Rimane l’eco for ensemble
Georg Friedrich Haas
, Ausweg for ensemble


Musicians of Court-circuit
Saxophone : Vincent David          
Violin : Alexandra Greffin-Klein                     
Double bass : Didier Meu           
Conductor : Pierre-André Valade

The surprising instrumental alloy of the double bass and bass saxophone is what Daniel D’Adamo’s Coeli and Terrae relies on. These two instruments become, one after the other, main character and shadow. Their interweaving by rhythms and play modes leads to perceive a “meta-instrument”. In return, homorythmic pursuit and cut leads to moments where tones lose temporarily their identity. The idea of interweaving also affects the form. We will take side roads, backtrack, lose the steps that had guided us to find them again.

“À une main” (one-handedly) by Nicolas Tzortzis is conceived as a short film inspired by a grand slam Roger Federer won. The solo violin confronts consecutively seven opponents, from solo to quintet. It is accompanied and amplified by an instrument from the ensemble, as if electronic process affected its tone. The fourth layer represents what occurs “around”. Played by the instruments that do not take part to the game, rather noisist or neutral, the latter serves a background to the main action

Rimane l’eco By Martino Traversa explores a particular aspect of complexity with an increasing sonorous density, allowed with a process of successive accumulation, and its quick dispersal. The writing is sustained by a precise structural order, gradually complexifying until reaching a certain point of accumulation from which the perceptive image of echo takes form.  

The second word of Georg Friedrich Haas work title, weg (path, gone), leaves space to interpretation, and the ambiguity is intention, either “exit door”, “stop, leave” or yet something else. The piece is also a game for ambiguity : it begins with enigmatic piano trills the strings comment, then, by the other instruments according to a fluctuating and hesitating path, with microtonal and the composers typical slippery stretches. The development is uncertain, with sudden curls, and unachieved wanders.




Conservatoire à Rayonnement Régional, 14 rue de Madrid, 75008 Paris
Prices : free entrance
Information and reservations : Ensemble Court-circuit,, 06 89 16 64 00


Ensemble Court-circuit • Conservatoire à rayonnement régional d’Aubervilliers